The sculpture “Big Clay No. 4” has been dismantled from its location on Bolotnaya Embankment in Moscow after standing there for four years. The removal of the artwork, which had become a subject of much debate, has sparked discussions about the role of abstract sculptures in the city.

The sculpture’s presence on Balchug Island had transformed the area, evoking a Scandinavian atmosphere reminiscent of cities like Helsinki and Stockholm, where historical architecture blends with modern art and recreational spaces. Many Muscovites had grown accustomed to the sculpture’s harmonious shape and silvery hue, which complemented the minimalist urban landscape.

The installation of “Big Clay No. 4” was initially intended as the first exhibit in a rotating series of sculptures. However, due to changing circumstances, it remained in place for an extended period.

The public’s reaction to the sculpture was mixed, with some appreciating its representation of the artistic process and others finding it unattractive. The debates surrounding “Big Clay No. 4” have subsided over time, but the dismantling has reignited conversations about the type of art that should be displayed in public spaces.

The city now faces the challenge of selecting a replacement that will resonate with the public and enhance the urban environment. Some fear a return to overly abstract or provocative art, while others worry about the installation of uninspired, conventional sculptures.

The ideal outcome would be a piece that not only complements its surroundings but also encourages contemplation and broadens the public’s understanding of beauty. While traditional monuments serve an important purpose in commemorating historical figures and events, abstract sculptures can offer a fresh perspective and become iconic symbols of the city.