A new book, “Een nieuw geluid – De geboorte van de moderne poëzie in Nederland 1900-1940” (A New Sound – The Birth of Modern Poetry in the Netherlands 1900-1940), explores the development of modern Dutch poetry from 1900 to 1940. Written by former professors Gillis Dorleijn and Wiljan van den Akker, the book analyzes the period’s cultural and social landscape and examines how poets navigated their role in a changing world.

The book challenges traditional literary histories by scrutinizing the image-forming, order, and canon established by the poets themselves. It emphasizes the autonomy of the literary domain and the increasing professionalization of criticism and literary scholarship.

The study highlights the influence of the Tachtigers (The Eighties Movement), who advocated for poetry as an expression of individual emotion rather than generally accepted views. Willem Kloos, a key figure, emphasized the autonomous nature of the artist. Herman Gorter, another prominent poet, sought to integrate his socialist ideals into his poetry. His epic poem Mei served as inspiration for the title of the book due to its connection with renewal, revival, flowering, and joy.

The book also examines the debate surrounding the role of poetry in social change, particularly the integration of art into socialist ideals. Gorter’s later work, including his poem Pan, reflects this quest, attempting to merge his political vision with his artistic expression.

“Een nieuw geluid” draws upon a vast collection of journals, poetry collections, letters, and other materials to provide a comprehensive overview of the period. It sheds light on the diverse influences and movements that shaped modern Dutch poetry, including symbolism, surrealism, and Dadaism. The book aims to present a new perspective on the birth of modern poetry in the Netherlands.