A comprehensive new book, “Een nieuw geluid – De geboorte van de moderne poëzie in Nederland 1900-1940” (A New Sound – The Birth of Modern Poetry in the Netherlands 1900-1940), examines the evolution of Dutch poetry between 1900 and 1940, challenging traditional literary history approaches. The book, authored by former professors Gillis Dorleijn and Wiljan van den Akker, analyzes the cultural and social context that shaped the poetry of the era.

The study delves into the core question of the role of poetry during a time of significant change. It considers the influence of earlier figures like Herman Gorter and the literary movement known as De Tachtigers, analyzing their impact on subsequent generations of poets.

The authors move beyond conventional literary history by scrutinizing the imagery, order, canon, and classifications established by the poets themselves. Journals, poetry collections, and other sources are examined to trace the development of modern poetry within the changing literary landscape.

The book explores various recurring themes, including “engagement,” “desire,” “imagery,” “paradox,” “beauty,” “pillarization” and “depillarization,” “socialism,” “gender,” and “autonomy.” It notes the increasing autonomy of the literary world around 1900, with a rise in poetry publications, journals, literary prizes, and critical analysis.

Gorter’s concept of poetry as both a deeply personal expression and a force for social change is explored. His work, including his epic poem “Mei,” exemplifies this duality, blending sensuality, nature, and political ideals. His later work, like “Pan,” sought to integrate socialist aspirations with poetry.

The book highlights the complexities of integrating art into social movements, exploring the challenges faced by poets seeking to create works that were both artistically profound and socially relevant. While acknowledging the influence of earlier poets like Willem Kloos, the study emphasizes the constant need for renewal and innovation in poetry.