Fictional portrayals of wealthy individuals often lean towards the negative, raising questions about the justification for such characterizations. The Danish Netflix series “Reservatet” (The Camp) serves as a prime example, showcasing how the rich are depicted in modern storytelling.

“Reservatet” centers around two affluent families residing in Nordsjælland (North Zealand), with the plot thickening after the mysterious disappearance of a Filipino au pair. The series highlights the potential for caricature in portraying the wealthy, prompting a discussion on whether such depictions are warranted.

The author argues against taking offense on behalf of wealthy characters when they are presented in a caricatured manner in fiction. This perspective suggests that wealthy individuals are not uniquely targeted, as many other groups also face two-dimensional portrayals in storytelling.

In “Reservatet,” for instance, the Filipino au pair community is portrayed as grateful and subservient. This illustrates that simplified portrayals extend beyond the wealthy, impacting various social groups within the narrative.

The prevalence of negative or simplistic portrayals raises questions about representation and the potential for reinforcing stereotypes in fiction. By examining examples like “Reservatet,” audiences can critically assess the narratives they consume and consider the broader implications of character depictions.