Danish director and actress Signe Hørmann Sørensen urges for greater artistic courage within the Danish performing arts scene, prompted by critical commentary on the Royal Theatre’s repertoire and a reflection on her own creative choices. Sørensen expresses disappointment in the lack of open dialogue following criticism, advocating for a cultural shift towards embracing risk and fostering innovation.

Sørensen reflects on a past protest during Queen Margrethe’s speech in 1976, highlighting a boldness she finds lacking in contemporary Danish performing arts. She references criticism of the Royal Theatre’s upcoming repertoire for being too unambitious, echoing her own sentiments about the industry’s tendency towards safe, predictable choices. This observation leads her to examine her own “commercial-washing” tendencies, where she attempts to package challenging themes in palatable ways for wider audiences. While acknowledging the potential benefits of this approach, she questions whether it ultimately stifles artistic expression.

Addressing Kasper Holten, Sørensen voices disappointment in his response to the criticism, hoping for a more open conversation about artistic direction and courage. She points to the absence of young Danish playwrights in the Royal Theatre’s upcoming season as a missed opportunity to champion new voices. Sørensen admits to also making safe choices in her own work, citing the revival of her musical “My Mother Says” as an example of a project with pre-existing recognition and audience appeal.

Sørensen acknowledges the financial pressures faced by theaters, recognizing the need to prioritize ticket sales and secure funding. She understands that the Royal Theatre is also subject to limitations that she is not aware of. Despite these constraints, she believes it is crucial to continue questioning the status quo and striving for greater artistic risk-taking.

In conclusion, Sørensen calls for a broader conversation about the importance of art, particularly in times of uncertainty. While acknowledging the existing talent and impactful performances in the Danish performing arts scene, she emphasizes the need for ongoing dialogue and a willingness to embrace new ideas. Sørensen hopes that figures like Kasper Holten will champion these discussions and inspire a renewed sense of artistic courage within the industry.