The Royal Danish Theatre’s open-air performance of “The Snow Queen” in Ulvedalene offers a visually stunning spectacle, though the cold weather and emphasis on technology over nature leave a sense of emptiness. Despite the grandeur and director Nicolei Faber’s efforts to maintain cohesion, the reviewer found the experience “ice cold” and questioned the necessity of the outdoor setting.

The production, adapted from H.C. Andersen’s fairy tale by Kim Fupz Aakeson, features impressive scenography by Benjamin la Cour, costumes by Ida Marie Ellekilde, choreography by Sofie Akerø, and music by Marie Koldkjær Højlund. Laura Skjoldborg’s portrayal of Gerda is praised for capturing the heroine’s purity and fighting spirit.

The reviewer notes the dominance of technology over nature, questioning the purpose of the open-air setting beyond accommodating a large audience. The interaction with the surrounding beech forest is minimal, with foreign elements overwhelming the natural environment.

Despite the spectacle, the reviewer felt a disconnect, comparing the experience to being “kissed by the Snow Queen.” The production’s emphasis on visual effects and grand scale, while impressive, ultimately leaves a sense of emptiness, mirroring the moral of Andersen’s tale. The reviewer questions whether the production, despite its visual grandeur, truly connects with the heart of the story.