A sculpture of the iconic Olsen Gang has been unveiled at Tingstedet in Valby, near Nordisk Film, where the films originated, but it has faced criticism regarding its artistic execution and integration with the surrounding space. The sculpture, created by Danish sculptor Thor Larsen, was initiated by Henrik Hansen, who raised funds and managed the project. Despite the celebratory atmosphere surrounding its unveiling, some critics argue that the sculpture fails to capture the magic and spirit of the beloved film series.

The Olsen Gang films have sold over eight million cinema tickets, holding a significant place in Danish film history. The characters of Egon, Benny, and Kjeld are considered national treasures, embodying aspects of the Danish folk character.

However, the sculpture’s placement in a corner near bicycle stands has been criticized as random and lacking integration with the square. Critics argue that the sculpture doesn’t capture the dynamic between the characters, appearing as individual figures rather than a cohesive group. The absence of attention to the negative spaces between the figures contributes to a sense of silence rather than the lively trio known from the films.

Furthermore, the lack of effort to integrate the sculpture with the surrounding space has been noted as a missed opportunity. Unlike successful public sculptures that enhance their environments, the Olsen Gang sculpture appears disconnected, with existing bicycle racks and benches detracting from its impact.

Questions have also been raised regarding the appropriateness of publically displaying trademarks like the Olsen Gang, which is owned by Nordisk Film. While the public seems enthusiastic about the sculpture, some argue that municipalities should carefully consider proposals for sculptures of commercial products.

Despite the public’s apparent enthusiasm, evidenced by numerous photographs and selfies taken at the site, the sculpture has faced criticism for its artistic merit and placement. The hope is that this situation will prompt the municipality to reconsider its approach to future public art projects, particularly those involving commercial entities.