Ole Henriksen’s “Smile at Life” show receives mixed reviews, with critics praising his boundless energy and positive attitude but noting a lack of structure and preparation. The show, featuring Henriksen and composer Claus Reenberg, premiered in Vejle and is set to tour Denmark, including a performance at the Royal Theatre.

The show’s initial anticlimax stems from Henriksen’s reliance on sales-pitch tactics, overwhelming gestures, and name-dropping of celebrities like Prince, David Bowie, and Charlize Theron. The performance feels unprepared, resembling a semi-improvised pep talk stretched too thin for a two-hour show.

While short videos with celebrity testimonials occasionally offer insightful moments, such as violinist Philippe Benjamin Skow’s anecdote about Emmanuel Macron, the first half of the show is marred by excessive small talk and a lack of focus.

The second half of the show sees improvement as Henriksen and Reenberg engage in a more structured interview format. This allows Henriksen to share personal anecdotes, revealing his integrity and courage, such as standing up to an unfair teacher and indirectly influencing a change in American law after being denied a green card.

Audience questions also contribute to a more engaging experience, showcasing Henriksen’s sincerity and thoughtfulness. A particularly humorous moment arises when he declares his wish to be cremated and have his ashes included in a scrub cream.

Despite the show’s shortcomings, Henriksen’s positive outlook on life and the connection between inner joy and outer beauty resonate with the audience. However, the review suggests that a more structured approach and greater preparation are needed to fully realize the show’s potential.