The article discusses jewelry designer Jo Riis-Hansen’s experience with divorce and her subsequent lifestyle changes, portraying it as a narrative of privilege. The story has drawn criticism for its perceived lack of awareness regarding the struggles faced by those with fewer resources.

Riis-Hansen, who previously enjoyed a life of luxury with a wealthy husband, a house in an upscale Copenhagen neighborhood, a BMW, and children in private school, faced a drastic change when her marriage ended. She had to move into a small apartment and initially felt despair, fearing a life of unhappiness.

However, during this period, Riis-Hansen was able to travel with friends, enjoy social outings, attend yoga, and participate in a grief group. She also found a new romantic partner. The sale of her former house reportedly alleviated her anger.

The article has been likened to the Netflix series “The Resort,” which satirizes wealthy individuals and their disconnect from the lives of less privileged people. Critics argue that Riis-Hansen’s story, despite being real, comes across as a parody of someone who is oblivious to their own privilege while navigating a common life event like divorce.

The narrative is further criticized for its clichés and banalities, such as the assertion that Riis-Hansen is now “prioritizing herself” and “feeling herself.” The author suggests that the article fails to offer any new or insightful perspectives, instead reinforcing the notion that even during difficult times like divorce, privileged individuals have an easier time.