Per Nørgård, the most significant figure in Danish classical music since Carl Nielsen, has passed away, leaving behind a legacy of groundbreaking compositions and a profound influence on generations of musicians. He was a beloved teacher, an inspiration to colleagues worldwide, and a prolific composer of operas, symphonies, and numerous chamber pieces.
Nørgård’s music aimed to reflect the structure of the universe, seeking to capture more than just sound itself. His work encouraged listeners to be open to the mysteries of the universe and to appreciate the sounds around them, from the “fundamental tone of the sea” to the traffic of everyday life.
A defining moment in Nørgård’s career came in 1959 when he encountered avant-garde music during his first major trip abroad. This experience, coupled with his creation of the “infinity series,” revolutionized Danish music. The infinity series, a deceptively simple melody with the unique property of generating both repetition and novelty, became a cornerstone of his compositions for decades.
Despite his innovative approach, Nørgård also drew inspiration from unexpected sources. In 1979, he discovered the art of Adolf Wölfli, a Swiss outsider artist, which led to a period of artistic exploration that diverged from his reliance on the infinity series. This period produced works such as the choral piece “Wie ein Kind” and the opera “The Divine Tivoli,” showcasing a different facet of Nørgård’s musical genius.
An anecdote from 1976 illustrates Nørgård’s personality. During rehearsals for the world premiere of his 3rd symphony, he attempted to discreetly convey a message to the singers but tripped and broke both arms. Despite his injuries, he remained present throughout the rehearsal, demonstrating his commitment to his work.
Nørgård’s impact extends to popular songs like “You Must Plant a Tree” and “My Leaf, My Little Tree,” considered among the most beautiful Danish songs of the century. His unique perspective and charismatic presence left a lasting impression on those who encountered him. His death marks the end of an era in Danish classical music, and his future works will be missed.