October has been a notably strong month for Russian music releases, with several albums standing out. Denis Rubin reviews some of the most prominent and noteworthy albums, showcasing the diversity and evolution of the Russian music scene.

Aria, celebrating their 40th anniversary, has released their first album in seven years, “When Tomorrow Comes.” The album stays true to the band’s signature melodic heavy metal style, combining heavy rock elements with ballad-like lyrics. The album is consistent with their previous work, maintaining their established sound.

Feduk describes his new album, “Fun Music,” as his most mature to date. The album incorporates deeper musical arrangements with contributions from indie artists like Sirotkin and “Synecdoche Montauk.” While aiming for a less hit-driven sound, the album still features some danceable tracks, broadening its appeal beyond Feduk’s fanbase.

Kino returns with “Indra’s Lightning,” another reconstruction of their older songs. The album focuses on the band’s romantic new wave period, highlighting influences from bands like The Cure and The Smiths. With the help of session musicians, the album offers a modern take on Kino’s classic sound.

Leningrad presents “Foam Wedding,” a concept album exploring a Russian wedding. The album captures the clash of love and drunkenness, tradition and modernity, in a fast-paced and electric style. The sound is a collage of diverse influences, creating a vital and engaging listening experience.

“Bond with a Button” released “Home,” a strong album that has captured the indie-pop scene. Combining romantic melodies with choral chants, the album explores themes ranging from serious reflections to youthful exuberance.

Buerak’s album “Tkstury” embraces metamodernism, blending humor with moments of sincerity. The album features synth-pop elements with catchy melodies and unconventional lyrics.

Jane Air delivers “9,” an album that explores heavy and relevant music with unexpected twists. The band experiments with styles and genres to create emotionally resonant songs, drawing comparisons to Smashing Pumpkins.

Hodila izba’s electronic-jazz-folk project continues to evolve with “Where are you, Ivanka?” The album explores mystical neo-folk themes with a foundation in Russian folk music, reminiscent of artists like Miranda Sex Garden and Dead Can Dance.

Rushana, known from “The Voice,” has released “Any Minute Now,” produced by Anton Malinen. The album is a unique blend of indie folk with a quivering voice, drawing comparisons to Portishead and Radiohead.